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Beyond Method- Stella Adler and the Male Actor





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網友滿意度:



不論是在學生時期或開始工作後

我對語言一直都有難以言喻的嚮往~~

自英文的從國中啟蒙

能夠用其他語言的邏輯來思考事情

也是一件很有趣的一件事台中水晶店

跟一般人喜歡用吃吃喝喝出遊玩來打發時間

我更喜歡用書籍安靜的充實自己

所以特別跟大家推薦我目前在看的

Beyond Method- Stella Adler and the Male Actor

非常好上手、條理分明

對於希望入門別太難的人很適合

而且這最大的成就感就是用新學的

語言查資料了XD

看自己key出之前完全不了解的文字或音

真的有滿滿的感動啊~~

希望推薦的這本書能夠讓大家都能

感受或得知識的喜悅!

一起讀書向前邁進吧!





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Beyond Method- Stella Adler and the Male Actor



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商品訊息功能:

商品訊息描述:

Stella Adler (1901–92) trained many well-known American actors yet throughout much of her career, her influence was overshadowed by Lee Strasberg, director of the Actors Studio. In Beyond Method: Stella Adler and the Male Actor, Scott Balcerzak focuses on Adler’s teachings and how she challenged Strasberg’s psychological focus on the actor’s "self" by promoting an empathetic and socially engaged approach to performance. Employing archived studio transcripts and recordings, Balcerzak examines Adler’s lessons in technique, characterization, and script analysis as they reflect the background of the teacher—illustrating her time studying with Constantin Stanislavski, her Yiddish Theatre upbringing, and her encyclopedic knowledge of drama. Through this lens, Beyond Method resituates the performances of some of her famous male students through an expansive understanding of the discourses of acting.

The book begins by providing an overview of the gender and racial classifications associated with the male "Method" actor and discussing white maleness in the mid-twentieth century. The first chapter explores the popular press’s promotion of "Method" stars during the 1950s as an extension of Strasberg’s rise in celebrity. At the same time, Adler’s methodology was defining actor performance as a form of social engagement—rather than just personal expression—welcoming an analysis of onscreen masculinity as culturally-fluid. The chapters that follow serve as case studies of some of Adler’s most famous students in notable roles—Marlon Brando in A Streetcar Named Desire (1951) and The Missouri Breaks (1976), Robert De Niro in Taxi Driver (1976), Henry Winkler in Happy Days (1974–84), and Mark Ruffalo in The Avengers: Age of Ultron (2015). Balcerzak concludes that the presence of Adler altered the trajectory of onscreen maleness through a promotion of a relatively complex view of gender identity not found in other classrooms.

Beyond Method considers Stella Adler as not only an effective teacher of acting but also an engaging and original thinker, providing us a new way to consider performances of maleness on the screen. Film and theater scholars, as well as those interested in gender studies, are sure to benefit from this thorough study.

商品訊息簡述:

  • 作者: Balcerzak, Scott
  • 原文出版社:Wayne State Univ Pr
  • 出版日期:2018/06/25
  • 語言:英文


Beyond Method- Stella Adler and the Male Actor







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